The rapper +built in audience: The rapper will either be rippidity rappin' by the time you get down to wait for the subway or will walk into the subway with his friends and bust out into "song"(?). He is hard to spot if he is not already rapping. The best part of the rappers are easily his friends. They either become part of his chorus, his entourage, or his back up dancers. They all sway together, grab their junk occasionally, and make random "rap" hand gestures. The main rapper is usually the best one and I always give him money because of the poetry that he produces. It's actually just a more acceptable delivery of subway poetry in my eyes. It is definitely something that every person should look forward to for entertainment or for a few eye rolls as you get closer to your travel destination.
The bucket bands: The bucket bands only set up shop in the subway stations as it is too hard for them to travel and produce a song from stop to stop. They have huge buckets and I like to imagine that they all wonder about the city, searching for others who are carrying buckets so that they can have a random jam session. I think though in reality, they are two stoner hippies who text one another, "Wanna bang on some buckets at West 4th?" The bucket bands will always start solo, waiting for the other people to come with their buckets and join him. These songs are always entertaining with the rare exception of a long train wait and a huge migraine. They will play for hours too just jamming in sync and you can always find them at 14th street or west 4 for sure.
The starving classical musicians: These guys/girls are some of my favorites. If you want a free concert, check these musicians out usually at west 4 or any major train station near music program universities. These musicians all decide that practicing is better in public because they can make a little money. They will start playing alone and wait for the others, and the music always puts me in a better mood. The musicians that play are always a bit disheveled, which makes me happy. They definitely make love to their instruments and usually make a lot more money then most street performers. I like to think that it is a literal charity where you can see exactly where your money goes and get something out of it. Sure these music majors are amazingly talented, but they need to think long term like "how am I going to pay for this useless degree?" or "What the hell am I going to do after I get this degree?" or "how much money do I need to survive?" I am investing in their future as well as their present. I enjoy every moment that they play because of the passion that they portray. Also, I love the moment when additional musicians get to the station and join the solo musician mid song because it reminds me of the final band scene from Titanic :)
The Hip Hop Groups: My favourite and most common act. These boy groups usually get on and off the longer stops, primarily to and from Brooklyn and Manhattan. They are always very fit, very dressed in tank tops, sideways hats, shoes with very, very loose strings, and arm sweat bands. They travel in packs of 6 or so and you always know them before they perform because of several obvious and reliable facts. 1.) They always have the built-in audience guy who can't dance. He is their number one fan and probably has a crush on his friends. He is ALWAYS the one in charge of repeating "IT'S SHOWTIME!" and making sure to press the button for the music. His eyes light up as his friends dance and he claps way too eagerly while making big noises or snaps to cheer on his friends. Things like, "OH!" and "WATCH WHAT HE'S ABOUT TO DO!" or "I DON'T BELIEVE IT!". During an average performance, he is guaranteed to hold his hand up to his mouth 5 times while screaming "OH!!!!" or he isn't legit. The performers vary in ability which is why I may or may not give them money. It is annoying when they choose to perform in the space where people are disabled or have a broken foot because they are jumping around and throwing their shoe everywhere. I also sometimes just want peace and quiet and they come on and ruin that for me.
When they are good, they will incorporate walking on the top of the subway ceiling while dangling. They will also do some sort of upside down slow pole dancing--random thought--why is that seemingly okay to do in the public but not for strippers in private? I would much rather watch strippers than these guys.....
The more athletic they are the better they are. I have seen some lame guys who just looked like really bad boy bands or back up dancers with no floor, ceiling, or pole work. This isn't the 90's guys! I also get annoyed when all they can do is try (an often fail) at either catching their stretched out shoe on their foot or their stupid hat on their head. Really? You want money for that? I do that every day after work without asking people for a dollar.
SO THERE YOU HAVE IT--my complete list of New York City performers. Let me know what ones are your favorite or if you think I should expand on any of them.
The Hip Hop Groups: My favourite and most common act. These boy groups usually get on and off the longer stops, primarily to and from Brooklyn and Manhattan. They are always very fit, very dressed in tank tops, sideways hats, shoes with very, very loose strings, and arm sweat bands. They travel in packs of 6 or so and you always know them before they perform because of several obvious and reliable facts. 1.) They always have the built-in audience guy who can't dance. He is their number one fan and probably has a crush on his friends. He is ALWAYS the one in charge of repeating "IT'S SHOWTIME!" and making sure to press the button for the music. His eyes light up as his friends dance and he claps way too eagerly while making big noises or snaps to cheer on his friends. Things like, "OH!" and "WATCH WHAT HE'S ABOUT TO DO!" or "I DON'T BELIEVE IT!". During an average performance, he is guaranteed to hold his hand up to his mouth 5 times while screaming "OH!!!!" or he isn't legit. The performers vary in ability which is why I may or may not give them money. It is annoying when they choose to perform in the space where people are disabled or have a broken foot because they are jumping around and throwing their shoe everywhere. I also sometimes just want peace and quiet and they come on and ruin that for me.
When they are good, they will incorporate walking on the top of the subway ceiling while dangling. They will also do some sort of upside down slow pole dancing--random thought--why is that seemingly okay to do in the public but not for strippers in private? I would much rather watch strippers than these guys.....
The more athletic they are the better they are. I have seen some lame guys who just looked like really bad boy bands or back up dancers with no floor, ceiling, or pole work. This isn't the 90's guys! I also get annoyed when all they can do is try (an often fail) at either catching their stretched out shoe on their foot or their stupid hat on their head. Really? You want money for that? I do that every day after work without asking people for a dollar.
SO THERE YOU HAVE IT--my complete list of New York City performers. Let me know what ones are your favorite or if you think I should expand on any of them.